expressions
EXERCISES
Week 1 : Exercise 1 ( Type expression )
I sketched the expression words on my iPad and realized that it was
not as easy as it seems, constant brainstorming was required in order
to think of the right impression. Even doing so, some expressions were
not as accurate as I thought.
Fig 1.21 Sketches of expressive words 14/4/2023
Week 2 : Digitizing expressive words
For my previous sketches, I learned that I have used a lot of
illustrations in my designs. During this week, I improved my designs for
the expressive words based on last week's feedback session.
Fig 2.21 Design for split 21/4/2023
For most of these, I tried to utilize the shape of the letter "l" and
tried to make it look like a blade, splitting the other letters
apart.
Fig 2.22 Design for surprise 21/4/2023
Surprise was not a simple word to express as personally, I don't get
surprised a lot so I did some research on the word and tried to get some
ideas to try to express this word.
Fig 2.23 Design for destroy 21/4/2023
Expressing destroy was ultimately the most challenging with me as
destroying normally involved objects ( it could be a hammer, hand ) but
eventually i tried to think of some ideas to make it possible to express
without using illustrations. Personally, the destroy on the top right
was my favorite out of all designs.
For pause, there was not as much to express compared to the other three
words, so I kept it as calm-looking as possible. But during the lessons,
I also learned that a pause could be quite exciting, and not
boring.
Week 3 : Finalized expression word designs
After a feedback session with Mr Vinod, he picked the ones which
looked the best and suggested I move on to animating them.
Fig 3.21 Finalized design for split 28/4
The "l" acts as a slicer, splitting the letters "s" "p" with "i" "t"
Fig 3.22 Finalized design for surprise 28/4/2023
The letters act like balloons, which you normally see in surprises
Fig 3.24 design for pause after feedback 28/4/2023
I went with a very simple and minimalistic design with pause as during a
pause, it is normally just a calm moment. I added grey to the background
as Mr Vinod suggested so it gives of a contrast.
Fig 3.26 design for destroy after feedback 28/4/2023
For destroy, I was a little more adventurous and tried playing around with
the letters, using them to create a smasher. The 'd' acts as the handle of
the smasher, and I used the middle line in 'E' to create a vision of a
smasher.
Fig 3.27 Final Type Expression, JPEG 28/4/2023
Fig 3.28 Final Type Expression, PDF 28/4/2023
Week 4 : Animation for expressive words
FEEDBACK
REFLECTIONS
FUTHER READING
Starting with the basics, there are 3 basic type of typefaces:
4. Whitespace
Fig 4.23 Surprise GIF sample 27/4/2023
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Fig 4.24 Pause GIF sample 27/4/2023
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Fig 4.25 Destroy GIF sample 27/4/2023
Final animated type expression "Split", GIF
Fig 4.26 Final animated type expression "Split", GIF 28/4/2023
While animating it, I changed it to a slower speed so the viewer can
see the action a little clearer. I also included a slight pause so it
doesn't repeat too fast.
FEEDBACK
Week 2 :
General feedback:
I came out with 20 different designs for 5 different words so
explorations were sufficient. However, not all expressions portrayed the
action of the words. Illustrations and distortions are not allowed. Stick
to using the fonts provided.
Specific feedback:
On a scale of 1-5, the strength of the ideas are rated at 3 from my point
of view. as I realized some designs are similar to my classmates'. For the
word "silence" refrain from adding the line from the "L" as it will result
in looking like a "T". The work can be improved with expressing with
simple fonts and more brainstorming. Also explore more on the meaning of
the words to really bring out the feeling it is supposed to give.
Week 3 :
Specific feedback:
For split, adjust the letter "s" and "t" position lower.
For pause, add a grey or black background to give some contrast.
For surprise, play with the positions of the letters instead of placing
them orderly.
Week 4 :
General feedback: It is best to insert a pause if it
isn't a smooth loop. Look at what is being expressed, act out what is
being expressed and not adding just an action. It is suggested to add more
frames to make the animation smoother (25 frames for a 1 second pause)
Specific feedback:
For destroy - The "d" and "E" should just stay on the ground. Instead of
putting "destroy" in the smashed area, put "stroy" only. Use a more
condensed font.
For split - loop was too fast, pause after the animation happens for it to
repeat again.
Week 5 :
Lecturer feedback:
W5 As explained in the first week and demonstrated in the sample
feedback above, the latest feedback is to be recorded above the previous feedback. Week 4 above W3, W3 above W2 etc. The top left of this sheet clearly
gives you the short cut key to create a paragraph space: Alt+Enter/Opt.+Return
General feedback:
- Maintain an even grey tone so a particular part doesn't look to dark/light.
- When you have paragraph of texts where there are abbreviations being used, they stand out from the texts and the rhythm of the text will be broken, causing the breakdown of the harmony of reading. To fix it, use small capital or a different font or reduce the size, which follows the median line text's height
- NEVER use a force line break!
- A centralized format can be stable but not outstanding enough to be great, it needs some dynamism
- Avoid using bodoni for body text and futura light as it is hard to read
- Have different margin spaces to create dynamism
- Try to maintain constant spacing
- If there is already a difference in weight, no need to put it in italic form as it will be too much
- Maintain similarity when cropping images ( e.g If you crop the head of person 1, make sure to crop the head of person 2 as well )
Specific feedback:
Image is not related to text and need more leading. When using left
align, have some ragging so it doesn't look like it is justified. Make
title alignment matched to image and caption for image must be smaller or
same size as body text.
REFLECTIONS
Experiences
Since it was my first time in a typography class, I learned a number of
things and also learned to be more meticulous when reading texts I see
on an everyday basis. It could be a post online, a leaflet I see in a
mall or even packaging items. There were so many questions going around
in my head, asking if the text could use some kerning, or could the
spacing be a bit more and etc. I have also tried to not rely on
illustrations as much, which was the biggest challenge to me as I am a
big fan of illustrations.
Observations
Even a small change of a design element could change how your text looks to
a viewer. Kerning was something I was most fascinated about as it was such a
simple change but it gave a huge difference, instantly making the texts
appear cleaner.
Findings
I discovered that not everyone has the same preferences even in typography.
Some may prefer a more extravagant design/layout, when some prefers
something simple. However, I think sticking to simpler designs would be the
best for beginners like me and only start being adventurous once I dive
deeper into the whole typography world. Although it's a subjective topic,
typography still has its own rules that we designers have to follow in order
to achieve the best reading experience for readers.
FUTHER READING
Article: Typography Elements Everyone Needs to Understand by Laura
Martin
Fig 1.31 Typography Elements Everyone Needs to Understand
link: https://medium.com/gravitdesigner/typography-elements-everyone-needs-to-understand-5fdea82f470d
1. Typefaces
Fig 1.32 Three basic typefaces
- Serif (extended lines marked in red circles in Fig )
- Sans-serif ( without thick and thin strokes ) sans means "without"
- Decorative ( more creative fonts )
Tips:
- use a maximum of 3 different typefaces in a given project.
- try pairing serif + non serif fonts together
- use a maximum of 3 different typefaces in a given project.
- try pairing serif + non serif fonts together
2. Hierarchy
Hierarchy helps keep your ideas organised and also helps readers identify the
content they are viewing. This also helps viewers in finding specific
information. An example of using hierarchy is using different font size for
subheadings, and text.
3. Contrast
Varying size, typeface, weight, colour, and style can give your designs a big
impact as well as make your ideas organised. It could also help in emphasising
specific information, as well as grab reader's attention.
It is the empty space around objects or text, that can take the form of
margins, padding, or just an uncluttered area. It creates a pleasing visual
experience
I.D.E.A.S. (2003)
Fig 1.33 I.D.E.A.S. (2003)
Display
- attention-getting headline fonts
- best not to use as body fonts
Fig 1.34 examples of display fonts
Script
- designed to mimic handwriting
- letters are designed to touch one another
- never be used in all capital letters
Fig 1.35 examples of script fonts
Mono-spaced
- proportionally spaced; smaller characters take up less space than larger ones
- usually type-writer style fonts, take up the same amount of space regardless of the actual letter
Fig 1.36 examples of mono-spaced fonts
Dingbats
Dashes
- En-dash
- used to separate a range of items eg: dates, quantities, and time
- as a rule, if you can substitute the word "to" or "through" in place of
the dash, then it is used correctly
- Em-dash
- used to precede the attribution of a quote
- the width of the letter "M"
- never typed as two hyphens in a row
Text in boxes
- attracts attention to small amounts of text
- indent the text from sides of the box
- don't make the background tint or colour too dark- unless the type is reversed
- if using reverse type, try making the type bold and sans serif
Thoughts after reading this book:
As i read this book, I realised most of the things have been covered in
the lectures already. But, I still learned a couple of new, interesting
stuff on typography and some rules that I have to take note of so I can
avoid of the basic typography mistakes. It amazed me on how typography
could also be a form of art with just words.
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